Steelpan Meets the Sitar — Joshua Regrello to Perform at the Taj Mahal

Trinidad’s steelpan is packing its mallets and heading east, all the way to India’s Taj Mahal, thanks to pannist Joshua Regrello, who’s set to become the first ever steelpan musician to perform at the iconic monument.
It’s a full-circle kind of story: from the Divali Nagar stage in Chaguanas to the marble heart of Agra, from tassa and tabla to tanpura and pan.

The Panman Who Refused to Rest
Regrello isn’t new to making history. In December 2024, he broke the Guinness World Record for the longest steelpan performance:- 31 hours straight, no breaks, no naps, just pure Trini endurance.
Now, less than a year later, he’s about to carry that same energy across the world, representing Trinidad & Tobago at one of humanity’s most sacred cultural landmarks.
At Divali Nagar 2025, where he performed alongside tabla player Shivan Seenath, Regrello announced the news to a stunned audience:
“In two weeks, I’ll become the first steelpannist to perform at the Taj Mahal. It means the work we doing has results. To all the youths in the audience there is a path you can follow and that path is hard work.”
And if you ever heard Joshua play, you know he’s not joking.
When Pan Meets Bollywood
Regrello’s set at Divali Nagar was pure vibes. Part devotion, part diplomacy, full goosebumps. He opened with the bhajan Bando Charan Kamal Raghunandan and then rolled straight into an instrumental version of “Pehli Nazar Mein”, the Bollywood love anthem made famous by Atif Aslam.
Indian music on steelpan isn’t new, but Regrello has been refining it for years, carefully translating ragas and Hindi melodies onto the chromatic range of the pan. It’s the kind of cross-cultural mashup that makes both murtis and masmen smile.
From Caroni to the Yamuna River
The Taj Mahal, built in the 1600s, has seen emperors, pilgrims, and pop stars, but never a Trini with a tenor pan. This December, that changes.
Regrello’s performance will be part of a cultural exchange organized through India’s High Commission in Port of Spain and the National Council of Indian Culture (NCIC). Sources say the concert will blend Indian classical performers with Caribbean steel, under the theme “Harmony in Heritage.”
In other words: when Joshua drops the first note, it’ll be Bollywood meets Belmont.
The Global Pan Movement
Regrello’s journey is part of a bigger pattern, steelpan is quietly going global again.
- Switzerland has entire schools dedicated to pan education.
- Japan hosts an annual steel orchestra competition.
- India’s Bollywood composers are experimenting with Caribbean instrumentation.
- And in Africa, countries like Ghana are integrating pan into their music education systems.
In short: pan no longer just local, it’s world heritage with rhythm.
What This Means for Trinidad & Tobago
Tourism officials have already started whispering about cultural diplomacy. A Trini playing the Taj Mahal? That’s an export opportunity wrapped in national pride.
Expect the Ministry of Tourism and Culture to hop on board (after they see the views hit a million). Because in a time when the country mostly makes headlines for potholes, murders, or US alerts, this is the kind of story that reminds the world we also export brilliance.
TriniLulz Verdict
Joshua Regrello isn’t just carrying a pan to India, he’s carrying a legacy, a culture, and a reminder that steel and soul can speak any language.
From Divali Nagar to the Taj Mahal, it’s a melody of connection — one that proves again why Trinidad and Tobago’s heartbeat comes in 4/4 time with a little syncopation and plenty pride.






